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Natyarang - Marathi Natya Sangeet Songs Download- Listen Marathi Natyarang - Marathi Natya Sangeet MP3 songs online free. Play Natyarang - Marathi Natya Sangeet Marathi movie songs MP3 by Pt. Vasantrao Deshpande/Katyar Kaljat Ghusli - Natyasangeet (1999) Katyar Kaljat Ghusli - Natyasangeet (1999) Vasantrao Deshpande.

Pandit Vasantrao Deshpande (1923-1983) was Marathi Hindustani Classical Singer of Patiala Gharana. Mariner 40 Hp 2 Stroke Manual on this page. A Hindustani classical vocalist who was also a brilliant performer of Natya-Sangeet. He hailed from the state of Maharashtra. Vasantrao Deshpande was one of India's most illustrious classical vocalists. He played classical and semi-classical music.

In the raga form which constitutes classical music, the artist displays his creativity on a basic canvas. Pandit Vasantrao Deshpande (1923-1983) was Marathi Hindustani Classical Singer of Patiala Gharana. A Hindustani classical vocalist who was also a brilliant performer of Natya-Sangeet. He hailed from the state of Maharashtra. Vasantrao Deshpande was one of India's most illustrious classical vocalists.

He played classical and semi-classical music. Hp Deskjet 930c Driver For Windows 7. In the raga form which constitutes classical music, the artist displays his creativity on a basic canvas.

Pandit Vasantrao Deshpande (1923-1983) was Marathi Hindustani Classical Singer of Patiala Gharana. A Hindustani classical vocalist who was also a brilliant performer of Natya-Sangeet. He hailed from the state of Maharashtra.

Vasantrao Deshpande was one of India's most illustrious classical vocalists. He played classical and semi-classical music. In the raga form which constitutes classical music, the artist displays his creativity on a basic canvas. Vasantrao Deshpande's rendition of famous ragas like Marwa, Salag Waraali, Nat Bhairav, Kauns (in its various forms), Chhayanat, Basant Mukhari, Patamanjari, Jaijaiwanti, Janasammohini, Bhoop, Shree, Maru Bihag, Yaman etc. Had a quality to them that kept people interested. His performance of offbeat ragas was not too different. The 'Sargam' was his forte.

Vasantrao Deshpande was equally at ease with the Thumri, Dadra and Ghazal forms. These find their origins in countries like Iran and Afghanistan. Vasantrao Deshpande had picked up the original style and nuances of the thumri and ghazal while studying at Lahore. He also learnt quite a bit of Urdu to elevate his ghazal performances. Another area of music where he made his mark was 'Marathi Natyasangeet'.

Some of the plays in which he acted and performed were 'Katyaar Kaaljaat Ghusli', 'He Bandha Reshmache', 'Vij Mhanali Dhartila', 'Meghmalhar', 'Tukaram' and 'Varyawarchi Varaat'. Out of these, 'Katyaar Kaaljaat Ghusli' became highly popular. Vasantraro Deshpande became the cynosure of everyone's eye for his challenging role of 'Khan Aftaab Hussain Khansaheb'.

As the play's popularity began to soar, he acquired the alias, 'Pandit Vasantkhan Deshpande'. He acted in movies like 'Kaaliya Mardan'(he was just eight), 'Dudh Bhaat', 'Ashtavinayak' and many more. He gave playback to more than 80 Marathi films. Besides pure music, he also put together the history of Marathi music plays, from origin showing their evolution up to the present stage. This is how he presented his brainchild, his tour de force, 'Marathi Natyasageetachi Vaatchaal' (the evolution of music in Marathi music plays). In this he would first explain the socio-cultural influences that shaped the musicals as they stood in a particular era and then demonstrate the evolution through its music. The concert was first held in Delhi.